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题名/责任者:

Towards a global music history : intercultural convergence, fusion, and transformation in the human musical story / Mark Hijleh.

出版发行项:

Abingdon, Oxon ; New York, NY : Routledge, 2020.

ISBN:

9780367663360

ISBN:

0367663368

载体形态项:

viii, 241 pages : illustrations, music ; 24 cm.

个人责任者:

Hijleh, Mark, author.

论题主题:

Music-History and criticism.

论题主题:

World history.

论题主题:

Intercultural communication-History.

论题主题:

Music and globalization.

中图法分类号:

J605

书目附注:

Includes bibliographical references and index.

内容附注:

Cover; Half Title; Title Page; Copyright Page; Dedication Page; Table of Contents; List of figures; List of music examples; Acknowledgments; Chapter 1 Introduction: Global musicianship and global musicology; Global music history: sources, people, and defining characteristics; Global regions: an overview of their roles and contributions; Beautiful musical histories on the global periphery-until later; A word on creativity and injustice; Notes; References; Part I The Afro-Eurasian Old World Web, c. 3500 BCE-1500 CE; Chapter 2 Precedents to the Silk Road; Global music pre-history; Musical characteristics and interactions across early civilizational centersThe Hellenistic world and the seeds of the Silk Road; Spotlight: The global ubiquity of hand drumming; Notes; References; Chapter 3 The first pivotal convergence: The Silk Road, c. 200 BCE-900 CE; Phase I: The Road emerges, c. 200 BCE-200 CE; Phase II: The Road evolves, c. 200-900 CE; Notes; References; Chapter 4 The second pivotal convergence: Al-Andalus, Byzantium, and the European coming of age c. 700-1500 CE; Early Arab-Islamic musical contexts; Networks of medieval musical streams; Inter/transcultural Andalusian Iberia and the European convergence Western European music comes of age; Early exportation of European music to the New World; Spotlight: rabab, rebec and the advent of the violin as a global instrument; Notes; References; Part II The New World Web, the third pivotal convergence, and the acceleration of fusion, c. 1500-1920 CE; Chapter 5 A musical Columbian exchange; The transcultural roots of Latin American music; The Caribbean; Mexico and Mesoamerica; Peruvian/Andean regions; The (urban) Brazilian coast; Amazonian and other interior areas; Spotlight: the rise of the guitar as a global transcultural instrument Notes; References; Chapter 6 The rise of transcultural musics in the United States; Colonies, revolution, and the seeds of civil war; The road to expanded freedom and transcultural musical growth; Notes; References; Chapter 7 Expanded acceleration: Empires and exoticism; Debussy: a culmination?; Missionaries; Trade and colonization; Musical transmission accelerated; Notes; References; Part III The Global Web and continuous transformation, since c. 1920 CE; Chapter 8 The full flowering and influence of the American musical convergence Three American musical streams; Five American musical pairs; Convergent impact; Spotlight: The emergence of a global transcultural singing style 10; Notes; References; Chapter 9 Technology, convergence, and the age of instantaneous exchange; Expanded musical freedom: from print to analogue to digital; Inter/transcultural mediamorphosis; Music, moving images, and interactivity; Two case studies: music and technology in Japan and Indonesia; The end of music history?; Notes; References.

摘要附注:

How do we explain the globalized musical world in which we find ourselves in the early 21st century and how did we arrive here? This extraordinary book outlines an understanding of the human musical story as an intercultural-and ultimately a transcultural-one, with travel and trade as the primary conditions and catalysts for the ongoing development of musical styles. Starting with the cultural and civilizational precedents that gave rise to the first global trading and travel network in both directions across the Afro-Eurasian Old World Web in the form of the Silk Road, the book proceeds to the rise of al-Andalus and its influence on Europe through the Iberian peninsula before considering the fusion of European, African and indigenous musics that emerged in the Americas between c1500-1920 as part of Atlantic culture and the New World Web, as well as the concurrent acceleration of globalism in music through European empires and exoticism. The book concludes by examining the musical implications of our current Age of Instantaneous Exchange that technology permits, and by revisiting the question of interculturality and transculurality in music.

豆瓣简介：