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MARC状态:审校 文献类型:西文图书 浏览次数:75

题名/责任者:
A sonata theory handbook / James Hepokoski.
出版发行项:
New York : Oxford University Press, [2021]
ISBN:
9780197536810
ISBN:
9780197536827
载体形态项:
xiv, 332 pages : illustrations, music ; 26 cm.
其他载体形态:
Online version: Hepokoski, James A. (James Arnold), 1946- Sonata theory handbook New York : Oxford University Press, 2020. 9780197536841
个人责任者:
Hepokoski, James A. (James Arnold), 1946- author.
论题主题:
Sonata form.
论题主题:
Instrumental music-18th century-Analysis, appreciation.
论题主题:
Instrumental music-19th century-Analysis, appreciation.
论题主题:
Symphony-18th century.
论题主题:
Symphony-19th century.
论题主题:
String quartet-18th century.
论题主题:
String quartet-19th century.
中图法分类号:
J614.3
书目附注:
Includes bibliographical references (pages 277-318) and indexes.
内容附注:
What is Sonata Theory? -- Mozart, Piano Sonata in B-flat, K. 333/i (Allegro) -- Mozart, Symphony No. 34 in C, K. 338/ii (Andante di molto piu? tosto Allegretto) -- The Basics : Sonata Types 3 and -- Haydn, Symphony No. 100 in G, "Military," first movement (Adagio Allegro) -- Haydn, String Quartet in G, op. 76 no. 1/i (Allegro con spirito) -- Beethoven, Symphony No. 2 in D, op. 36/i (Adagio molto - Allegro con brio -- The Minor-Mode Sonata -- Beethoven, String Quartet in E Minor, op. 59 no. 2/i (Allegro) -- Schubert, String Quartet No. 14 in D Minor, D. 810/i (Allegro) -- The Type 2 Sonata -- Brahms, Symphony No. 1 in C Minor, op. 68/iv (Adagio - Piu? andante - Allegro non troppo, ma con brio - Piu? allegro)
摘要附注:
"A Sonata Theory Handbook is a step-by-step, seminar-like introduction to Sonata Theory, a new approach to the study and interpretation of sonata form. The book updates and advances the outline of the method first presented in Hepokoski and Darcy's 2006 Elements of Sonata Theory. It blends explanations of the theory's general principles-dialogic form, expositional action zones, trajectories toward generically normative cadences, rotation theory, the five sonata types, the special case of the minor-mode sonata, and more-with illustrations of them in practice through close, extended analyses of eight individual movements by Mozart, Haydn, Beethoven, Schubert, and Brahms. Central to the method is the merging of historically informed, technical analysis with the concerns of hermeneutic interpretation. The book features an inclusive engagement with recent developments in form theory, schema theory, and other related studies since 2006, including some of the language and insights of cognitive research into music perception and the more generalized concerns of conceptual metaphor theory. It ultimately builds to reflections on sonata form in the romantic era: the flexible applicability of Sonata Theory to mid- and late-nineteenth-century works"--
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