机读格式显示(MARC)
- 000 03916cam a2200445 i 4500
- 008 200903s2021 nyuag b 001 0 eng c
- 020 __ |a 0197541259 |q hardcover
- 020 __ |a 9780197541258 |q hardcover
- 040 __ |a YDX |b eng |e rda |c YDX |d BDX |d YDXIT |d OCLCO |d UKMGB |d OBE |d OCLCO |d CN3HA |d OCL
- 050 _4 |a ML300.5 |b .S35 2021
- 099 __ |a CAL 022021114376
- 100 1_ |a Schmelz, Peter John, |e author.
- 245 10 |a Sonic overload : |b Alfred Schnittke, Valentin Silvestrov, and polystylism in the late USSR / |c Peter J. Schmelz.
- 264 _1 |a New York, NY : |b Oxford University Press, |c [2021]
- 300 __ |a xi, 408 pages : |b illustrations, music ; |c 25 cm
- 336 __ |a text |b txt |2 rdacontent
- 337 __ |a unmediated |b n |2 rdamedia
- 338 __ |a volume |b nc |2 rdacarrier
- 504 __ |a Includes bibliographical references and index.
- 505 0_ |a The Soviet culture of collage -- Schnittke's path to polystylism -- Silvestrov the centaur and polystylism in the 1970s -- Kitsch -- Popular music, the devil, and aerobics -- The collage wave crests -- Eschatology -- Ghosts and shadow sounds -- The collage wave breaks: late thinking, idiots, and a final waltz -- Legacies of polystylistic tendencies (today, tomorrow, yesterday) -- Conclusion: genre, style, oblivion.
- 520 __ |a Composers Alfred Schnittke and Valentin Silvestrov brought us some of the most memorable music of the late Soviet Union. Sonic Overload traces these composers' attempts to embrace all aspects of the contemporary soundscape, including influences of popular music, rock, and jazz, before they ultimately retreated to more refined sonic structures.
- 520 __ |a "Sonic Overload offers a new, music-centered cultural history of the late Soviet Union. It focuses on polystylism in music as a response to the information overload swamping listeners in the Soviet Union during its final decades. It traces the ways in which leading composers Alfred Schnittke and Valentin Silvestrov initially embraced popular sources before ultimately rejecting them. Polystylism first responded to the utopian impulses of Soviet ideology with utopian impulses to encompass all musical styles, from "high" to "low". But these initial all-embracing aspirations were soon followed by retreats to alternate utopias founded on carefully selecting satisfactory borrowings, as familiar hierarchies of culture, taste, and class reasserted themselves. Looking at polystylism in the late USSR tells us about past and present, near and far, as it probes the musical roots of the overloaded, distracted present. Based on archival research, oral historical interviews, and other overlooked primary materials, as well as close listening and thorough examination of scores and recordings, Sonic Overload presents a multilayered and comprehensive portrait of late-Soviet polystylism and cultural life, and of the music of Silvestrov and Schnittke. Sonic Overload is intended for musicologists and Soviet, Russian, and Ukrainian specialists in history, the arts, film, and literature, as well as readers interested in twentieth- and twenty-first century music; modernism and postmodernism; quotation and collage; the intersections of "high" and "low" cultures; and politics and the arts."--Book jacket.
- 600 10 |a Schnittke, Alfred, |d 1934-1998.
- 600 10 |a Syl?vestrov, Valentyn Vasyl?ovych, |d 1937-
- 600 17 |a Schnittke, Alfred, |d 1934-1998. |2 fast
- 600 17 |a Syl?vestrov, Valentyn Vasyl?ovych, |d 1937- |2 fast
- 650 _0 |a Music |z Soviet Union |x History and criticism.
- 650 _0 |a Music |z Soviet Union |x History and criticism |y 20th century.
- 651 _7 |a Soviet Union. |2 fast
- 655 _7 |a Criticism, interpretation, etc. |2 fast
- 950 __ |a SCNU |f J605.512/S347