机读格式显示(MARC)
- 000 02985cam a22004575i 4500
- 008 190625s2019 enka b 001 0 eng d
- 016 7_ |a 019545258 |2 Uk
- 020 __ |a 9780198809067 (hardcover)
- 020 __ |a 0198809069 (hardcover)
- 020 __ |z 9780191884153 (electronic book)
- 040 __ |a YDX |b eng |c YDX |e rda |d ERASA |d BDX |d UKMGB |d OCLCO |d OCLCF |d OCLCQ |d YDX |d OCLCQ |d YDXIT |d DLC
- 082 04 |a 028.90942 |2 23
- 100 1_ |a Richards, Jennifer, |e author.
- 245 10 |a Voices and books in the English Renaissance : |b a new history of reading / |c Jennifer Richards.
- 264 _1 |a Oxford ; |a New York, NY : |b Oxford University Press, |c 2019.
- 300 __ |a xvi, 329 pages : |b illustrations ; |c 24 cm.
- 336 __ |a text |b txt |2 rdacontent
- 336 __ |a still image |b sti |2 rdacontent
- 337 __ |a unmediated |b n |2 rdamedia
- 338 __ |a volume |b nc |2 rdacarrier
- 504 __ |a Includes bibliographical references (pages [291]-322) and index.
- 520 8_ |a Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance-aware silent reader, rather than the historical reader, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice-and tones of voice especially-from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit their readers' voices. 0The volume offers fresh readings of key Tudor authors who anticipated oral readers including Anne Askew, William Baldwin, and Thomas Nashe. It rethinks what a printed book can be by searching the printed page for vocal cues and exploring the neglected role of the voice in the printing process. Renaissance printed books have often been misheard and a preoccupation with their materiality has led to a focus on them as objects. However, Renaissance printed books are alive with possible voices, but0we will not understand this while we focus on the silent reader.
- 650 _0 |a Books and reading |z England |x Sociological aspects.
- 650 _0 |a Oral reading |x History |y 16th century.
- 650 _0 |a Oral reading |x History |y 17th century.
- 650 _0 |a Books and reading |z England |x History |y 16th century.
- 650 _0 |a Books and reading |z England |x History |y 17th century.
- 650 _7 |a Books and reading. |2 fast
- 650 _7 |a Books and reading |x Sociological aspects. |2 fast
- 650 _7 |a Oral reading. |2 fast
- 651 _7 |a England. |2 fast
- 655 _7 |a History. |2 fast
- 950 __ |a SCNU |f I109.3/R516