机读格式显示(MARC)
- 000 03298cam a2200385 i 4500
- 008 220301s2023 njuaf e b 001 0 eng
- 020 __ |a 9780691236049 |q hardcover
- 020 __ |a 0691236046 |q hardcover
- 020 __ |z 9780691236056 |q electronic book
- 040 __ |a DLC |b eng |e rda |c DLC |d OCLCF |d UKMGB |d TOH |d GP5 |d ERASA |d YDX |d VTU
- 050 00 |a N66 |b .J67 2023
- 082 00 |a 701 |2 23/eng/20220720
- 099 __ |a CAL 022023061847
- 100 1_ |a Joselit, David, |e author.
- 245 10 |a Art's properties / |c David Joselit.
- 264 _1 |a Princeton : |b Princeton University Press, |c [2023]
- 300 __ |a xviii, 148 pages, 16 unnumbered pages of plates : |b illustrations (some color) ; |c 20 cm
- 336 __ |a text |b txt |2 rdacontent
- 336 __ |a still image |b sti |2 rdacontent
- 337 __ |a unmediated |b n |2 rdamedia
- 338 __ |a volume |b nc |2 rdacarrier
- 504 __ |a Includes bibliographical references and index.
- 505 00 |t Alienability and Alterity -- |t Constituent Moments: 1793-1815 -- |t Modern Art was always Conceptual -- |t The Burden of Representation -- |t Witness -- |t The Object as Witness.
- 520 __ |a "From the modern period until the present day, artworks have exhibited a well-known paradox: they promise a rich aesthetic experience and revolutionary qualities of innovation while simultaneously serving as a luxury commodity whose sale is directed toward a global class of oligarchs. Art's Properties proposes a new way of understanding this paradox, relating art's qualities-its properties-to its status as commercial property. In Art's Properties, esteemed art historian and theorist David Joselit argues that art's fundamental ontological property is its capacity to give access to experiences of alterity--the state of being other, or different. These experiences may appear as the image of a god, or the utopian dimensions of a black square on a white ground. Joselit goes on to explore artwork's relation to infinitude. As he explains, every work of art, in its material and visual qualities, can be host to an unlimited number of events and encounters with spectators, which persist through and over time. This infinitude is curtailed as art becomes property and is made to serve as a representation. In the modern period, white artists have been presumed to manifest an unmarked, supposedly neutral national character in Europe and the United States, while artists of color are often made to stand in for the identity attributed to them. In place of this dynamic of representation, Art's Properties will advocate for privileging narration over representation. While representation is finite-one thing is put in the place of another-narration has no end; it can be multiplied to encompass the many stories an artwork might enable. In focusing on the forms of narration that an artwork can contain, this book explores art's infinite aesthetic and material alterity"-- |c Provided by publisher.
- 650 _0 |a Art |x Philosophy.
- 776 08 |i Online version: |a Joselit, David. |t Art's properties |d Princeton : Princeton University Press, [2023] |z 9780691236056 |w (DLC) 2022005106
- 921 __ |a CASHL |b CEPIEC |c 9780691236049
- 950 __ |a SCNU |f J0-02/J83