机读格式显示(MARC)
- 000 03335cam a2200481 i 4500
- 008 170109s2017 enkaf b 101 0 eng d
- 020 __ |a 9781783272037 (hardback)
- 040 __ |a YDX |b eng |e rda |c YDX |d INU |d NIC
- 050 _4 |a PR149.C65 |b P69 2017
- 082 04 |a 820.9/170903 |2 23
- 099 __ |a CAL 022018023345
- 245 04 |a The power of laughter and satire in early modern Britain : |b political and religious culture, 1500-1820 / |c edited by Mark Knights and Adam Morton.
- 264 _1 |a Woodbridge, Suffolk : |b The Boydell Press is an imprint of Boydell & Brewer Ltd, |c 2017.
- 300 __ |a ix, 242 pages, 8 unnumbered pages of plates : |b illustrations (some color) ; |c 24 cm.
- 336 __ |a text |b txt |2 rdacontent
- 336 __ |a still image |b sti |2 rdacontent
- 337 __ |a unmediated |b n |2 rdamedia
- 338 __ |a volume |b nc |2 rdacarrier
- 500 __ |a "This volume grew out of a conference - 'Laughter and Satire in Europe 1500-1800' - held at the University of Warwick, Palazzo Pesaro-Papafava 26-27 May 2014."--Page x.
- 504 __ |a Includes bibliographical references (pages [211]-236) and index.
- 520 __ |a This interdisciplinary collection considers the related topics of satire and laughter in early modern Britain through a series of case studies ranging from the anti-monastic polemics of the early Reformation to the satirical invasion prints of the Napoleonic wars. Moving beyond the traditional literary canon to investigate printed material of all kinds, both textual and visual, it considers satire as a mode or attitude rather than a literary genre and is distinctive in its combination of broad historial range and thick description of individual instances. Within an over-arching investigation of the dual role of laughter and satire as a defence of communal values and as a challenge to political, religious and social constructions of authority, the individual chapters by leading scholars provide richly contextualised studies of the uses of laughter and satire in various settings - religious, political, theatrical and literary. Drawing on some unfamiliar and intriguing source material and on recent work on the history of the emotions, the contributors consider not just the texts themselves but their effect on their audiences, and chart both the changing use of humour and satire across the whole early modern period and, importantly, the less often noticed strands of continuity, for instance in the persistence of religious tropes throughout the period.
- 650 _0 |a English literature |y Early modern, 1500-1700 |x History and criticism |v Congresses.
- 650 _0 |a Satire |x History and criticism |v Congresses.
- 650 _0 |a Laughter |z Great Britain |x History |v Congresses.
- 650 _7 |a English literature. |2 fast
- 650 _7 |a English literature |x Early modern. |2 fast
- 650 _7 |a Laughter. |2 fast
- 650 _7 |a Satire. |2 fast
- 651 _7 |a Great Britain. |2 fast
- 655 _7 |a Conference papers and proceedings. |2 fast
- 655 _7 |a Criticism, interpretation, etc. |2 fast
- 655 _7 |a History. |2 fast
- 700 1_ |a Knights, Mark, |e editor.
- 700 1_ |a Morton, Adam, |e editor.
- 921 __ |a CASHL |b CEPIEC |c 9781783272037
- 950 __ |a SCNU |f I561.063/K71