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题名/责任者:

The power of laughter and satire in early modern Britain : political and religious culture, 1500-1820 / edited by Mark Knights and Adam Morton.

出版发行项:

Woodbridge, Suffolk : The Boydell Press is an imprint of Boydell & Brewer Ltd, 2017.

ISBN:

1783272031

ISBN:

9781783272037 (hardback)

载体形态项:

ix, 242 pages, 8 unnumbered pages of plates : illustrations (some color) ; 24 cm.

附加个人名称:

Knights, Mark, editor.

附加个人名称:

Morton, Adam, editor.

论题主题:

English literature-Early modern, 1500-1700-History and criticism-Congresses.

论题主题:

Satire-History and criticism-Congresses.

论题主题:

Laughter-Great Britain-History-Congresses.

论题主题:

English literature.

论题主题:

English literature-Early modern.

论题主题:

Laughter.

论题主题:

Satire.

地理名称主题:

Great Britain.

体裁索引词:

Conference papers and proceedings.

体裁索引词:

Criticism, interpretation, etc.

体裁索引词:

History.

中图法分类号:

I561.063

一般附注:

"This volume grew out of a conference - 'Laughter and Satire in Europe 1500-1800' - held at the University of Warwick, Palazzo Pesaro-Papafava 26-27 May 2014."--Page x.

书目附注:

Includes bibliographical references (pages [211]-236) and index.

摘要附注:

This interdisciplinary collection considers the related topics of satire and laughter in early modern Britain through a series of case studies ranging from the anti-monastic polemics of the early Reformation to the satirical invasion prints of the Napoleonic wars. Moving beyond the traditional literary canon to investigate printed material of all kinds, both textual and visual, it considers satire as a mode or attitude rather than a literary genre and is distinctive in its combination of broad historial range and thick description of individual instances. Within an over-arching investigation of the dual role of laughter and satire as a defence of communal values and as a challenge to political, religious and social constructions of authority, the individual chapters by leading scholars provide richly contextualised studies of the uses of laughter and satire in various settings - religious, political, theatrical and literary. Drawing on some unfamiliar and intriguing source material and on recent work on the history of the emotions, the contributors consider not just the texts themselves but their effect on their audiences, and chart both the changing use of humour and satire across the whole early modern period and, importantly, the less often noticed strands of continuity, for instance in the persistence of religious tropes throughout the period.

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